Cameron Aitken // Design Portfolio
@cb.aitken // aitkengraphics@gmail.com



Hello, I’m Cameron, a London based graphic designer and university lecturer graduated from Kingston School of Art. My work gravitates around post digital theory, media archaeology and digital analogue balances as I investigate our technological climate in relation to the natural world. I translate this research-led inquiry into 3D, web & interactive design, editorial, print, moving image, tapestry, essays, talks, curated spaces, lecturing & workshopping using technology through an experimental systems approach to push the boundaries of visual communication.

CV available on request.




Experience
Freelance Graphic Designer Specialising in 3D, Interative, Motion
2022 - Ongoing

Stanley Picker Gallery
Designer, AV & Installation 
2022 - 2023


Anexact Office 
Designer
2021 - 2024


Manta Ray Media 
Web & Motion Design 
2019


Oxford Brookes Associate Lecturer BA Graphic Design & Art Foundation
2023 - Ongoing


K. Verlag Publishing Atelier
Designer 
2021 - 2022


Novello Art Residency Designer
2021 - 2022

Image Works
Branding, Web Design 
2016

Freelance Clients

Oxford Brookes Art Foundation, Publicity
2023


Husky Loops, band
Motion Design  
2024


Lauren Kelly, Production Design for Set
2020



Domiphy Films - ‘The Climax’ , Motion Design
2024


Spiracle Audio Books
Designer
2023


Hogsmill Community Garden, Publicity
2019

Exhibitions & Press

Anyways Creative
Studio visit & talk
2023 


Handling Data
Stanley Picker Gallery 
21/02/23 - 25/02/23



Note to Self
Hosted by Glimpse
23/03/23 - 25/03/23

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Domiphy Films The Climax Creative Coding, Motion
2024

Director kyle campbell-pope tasked me with creating an opening and closing graphic for his award winning, soon to be publicly released short horror film ‘The Climax’ shot entirely on Kodak film. Working to his references I created a series of custom coded displacement, kaleidoscopic and mirroring algorithms in p5.JS, TouchDesigner in order to abstract the source footage. Drawing from my own interests in circuit bending, particularly from the art of Nam June Paik and aiming to emulate the manipulation of obsolete technologies like oil projection and CRT monitors I wanted to emphasise the analogue filmic quality of the imagery core to the film.